In most quantitative channel energy models of texture analysis, an image is processed by channel selective filters along certain fundamental stimulus dimensions such as spatial frequency and orientation. These channels generally contain a non-linearity, such as full-wave rectification, so that they signal the local contrast energy within the bandpass of the channel.
Texture analysis via a channel energy model employing a Gabor filter bank
is considered a representation of anisotropic mapping. The representation
is accomplished by the extraction of the feature vector
, which measures the fractional energy in various spatial
channels after treating the input image with the Gabor filter bank.
That can readily be
verified from the fact that the translation of an image
transforms the Fourier transform of the image
,
where
and rotation
of
, where
- the space
domain coordinates, transforms the Fourier transform
,
where
are the Fourier domain co-ordinates.
Similar result holds for reflection.
Hence, texture analysis is not invariant after the action of
on an
image.
The channel energy model employed is based upon
multiresolution analysis that is characterized by both orientation and scale.
The
space is used for multiresolution texture analysis by measuring the
fractional energies in the lightness and the two chrominance channels
mentioned in the last section.
Given an image
, the convoluted sequence
defines the multiresolution image texture characteristics, where
denotes a base texture extraction function
at scale
and orientation
, and
(filter energy) is held constant.
Gabor filters have been used to represent
.
The impulse response of an even-symmetric 2-dimensional Gabor filter is
expressed as:
| (12) |
A set of self-similar Gabor filters is obtained by appropriate
rotations and scalings of
through the
generating function:
Channels
,
and
are treated with the Gabor filter bank described
by equation 13.
The 48-dimensional feature vector
is constructed using the
fractional energies in each of the 16 spatial-frequency channels in the
,
and
channels,
i.e.,
| (14) |